Die MEI G² Serie von LD Systems ist sinnvoll ausgestattet und bietet professionelles In-Ear-Monitoring zu einem attraktiven Preis. LD Systems MEI G2, UHF Wireless InEar-System bestehend aus 9,5" Stereo Sender MEI T, Bodypack-Empfänger MEI G2 BPR und Ohrhörer, bis. Das In-Ear Monitoring-System LD Systems MEI G2 mit 96 UHF-Kanälen bietet einen großen Dynamikumfang in den Bändern – und – MHz.
Info zu diesem ArtikelLD Systems MEI G2 UHF Wireless In-Ear-System. bestehend aus 9,5" Stereo Sender MEI T, Bodypack-Empfänger MEI G2 BPR und Ohrhörern. The new LD Systems MEI G2 In-Ear Monitoring-System with 96 UHF channels with outstanding sound quality and a large dynamic range in the - LD Systems MEI G2, UHF Wireless InEar-System bestehend aus 9,5" Stereo Sender MEI T, Bodypack-Empfänger MEI G2 BPR und Ohrhörer, bis.
Ld Systems Mei 100 G2 Moderators VideoLD Systems MEI 100 G2 Unboxing and Review Jahre nachdem ich mit ein Sennheiser G3 System gespielt habe, Bethunter System ausprobiert und hat mich sofort Solitär Das Kartenspiel. Pour Les Musiciens. Informationen zum Versand.
Ld Systems Mei 100 G2 es etwas zu bekritteln Ld Systems Mei 100 G2, den. - Kunden haben sich auch diese Produkte angesehenWarenkorb 0. Feedback Found an error or want to give us feedback about this page? Compare Similar Items. Details Praxis Fazit. It simply uses other frequencies, that are free to use for the next Bleigießen Im Alten Oder Neuen Jahr. The transmitter range is good Las Vegas Online Casino, I can get 25 meters outside with clear stereo reception. The most annoying part is that when they do run out you get a constant clipping of sound dropout into your ear so you have to rip it out of your ear immediately to replace the batteries. We have a wide variety of pages giving information and enabling you to contact us before and after your purchase. Practice Earphones in general The earphones included are sufficient for an in-ear beginner to get to grips with the material. So it's not the ear phones that are letting it down. Then select the desired monitor mode, i. With regard to the signal-to-noise ratio, I must add that open, non-adjusted earpieces must usually be set to higher volumes, which inevitably increases Formel 1 Online Spielen noise. One must be aware that it is mainly the low frequencies that are lost when transmitting wirelessly. Visually they look good but that is about it. Always with customised added value for musicians. My bass player however could not as it distorted the sound on lowest frequencies too much. All in all the monitoring situation is much better than it has been before. Thomann FR.
Der Empfänger zeigt auf seinem Display an, ob an der Sendestation Mono- oder Stereobetrieb ausgewählt ist. Dahinter verbirgt sich ein Dual-Mono-Betrieb.
Liegen zwei Monosignale am Sender an, z. Vor allem im Rackbetrieb ist das eindeutig ein entscheidender Nachteil gegenüber dem MEI , sofern man diese Betriebsart für sich in Betracht ziehen möchte.
Die entscheidenden Unterschiede finden wir bei den Empfängern, wobei wir zunächst jedoch wieder auf die Gemeinsamkeiten eingehen wollen: Beide Empfänger werden mit 2 x 1,5 AA Batterien betrieben, mit denen die Laufzeit bis zu 12 Stunden betragen soll.
Wenn der Empfänger in Betrieb genommen werden soll, muss lediglich der Volumeregler ein wenig nach rechts gedreht werden, bis er eine Sperr-Raste überwindet, die den Regler gegen versehentliches An- und Ausschalten schützt.
Beide Empfänger besitzen einen Metallklemmbügel an der Rückseite, um das Gerät entsprechend an der Kleidung des Trägers zu befestigen.
Hierfür haben sich vor allem Kletttaschen aus Neopren etabliert. Speziell im Livebetrieb übernehmen sie zusätzlich die Funktion des Balancereglers für die Justierung des Stereo- bzw.
Zwar lässt der sich relativ leicht lösen, aber man muss etwas fummeln, um ihn ganz aufzubekommen, wenn sich noch keine Batterien im Fach befinden.
Earpieces Yes. Information on the supported frequency ranges Here you can see which frequencies are supported by this wireless system and the countries in which these frequencies are allowed in the future for wireless applications.
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Our friends in Brussels recently did something useful for musicians in the EU. We now have some new frequencies we can legally use for our IEMs and wireless mics all over Europe - the EU has forced our governments to clear out channel 65 and 66 also known as duplex gap or G2 for "wireless audio programme making and special events equipment" This is in addition to channel 70 frequencies.
I was holding back on buying IEMs because I already have instruments on channel 70 and you can only realistically fit 3 or 4 transmitters on there.
I use the new shure 2. Thanks to LDs early adoption of the G2 frequencies, you don't have to buy a licence now in Europe.
So as far as build is concerned, the belt receiver and transmitter are very high quality build, made to last.
Sound wise the system is functional. The receiver is loud enough, but doesn't have any extra kick so you are not going to go deaf using it.
As it is FM technology, the sound quality suffers at the low end, if you are a bass player it probably won't cut it as the bass is distorted and the lowest end is not present.
So it's not the ear phones that are letting it down. I would compare the sound to a lower end FM car transmitter. I know it's possible to get great FM transmission these days, some of the high end in car FM transmitters are absolutely brilliant with deep bass and great signal to noise ratio, it's a shame LD didn't choose a more up to date encoder chipset, or include some sort of compander technology like HDX like you find on the Sennheisers.
It is however functional enough and the additional free channels make it worthwhile and good value for money. The transmitter range is good enough, I can get 25 meters outside with clear stereo reception.
I think I'll have to vote to stay in the EU now, if we drop out, the British government might want those channels back :.
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Send report. Item itself is made well, with good features. Durchschnittliche Kundenbewertung: 12 Bewertungen.
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You then select the operating mode mono, stereo or focus dual mono on the receiver. In general, both devices can be used to level the transmitter as they have a purely visual level indicator on the display.
If you have understood the basic information that the available 96 frequencies are divided into 8 groups of 12 channels, then you can get started straight away.
First of all select a group and then a channel using the transmitter via the set and scroll keys. You should pay attention here, because after a few seconds the display jumps back and only displays the selected frequency.
The next step is to select the identical group and the corresponding channel on the receiver. First of all, the general principle applies that you should do this either without earphones, or at least with the receiver volume turned down.
The noise that can occur here is neither healthy for the earphones let alone for your ears. If you forgot to set a group and channel on the transmitter in the meantime, then you have to go back to the set menu on the transmitter, as the display only shows the currently active frequency.
Unfortunately, this is a bit cumbersome. The set and scroll buttons on the MEI G2 are directly accessible on the front of the receiver.
This is the only way to reach the scroll keys on the MEI ; the set button is located under the front cover of the battery compartment, which you have to open first to adjust the settings.
This model is the same in that you first have to select a group and channel from the menu using the set button. The priority with the MEI G2 therefore is in keeping the flap open, so you can easily operate the scroll keys during operation.
Similar to the process on the transmitter, the receiver display shows the selected frequency after a few seconds, which must match that of the transmitter.
The display on both receivers displays whether a RF or broadcast signal is being received, and an AF display indicates whether an audio signal is present.
The hope is that this results in background noise-free transmission of the monitor signal to the transmitter. However, this is not always immediately the case.
It is therefore advisable to turn up the volume control on the receiver slowly and gradually. If the result is not satisfactory, i.
The MEI G2 appeared largely resistant to all sorts of other sources of interference, such as mobile phones, laptops, Bluetooth, Wi-Fi and whatever else is in the overall electromagnetic pollution floating through the air.
The reception range, even through multiple walls, was equally impressive on both models. This should rarely lead to on-stage problems, which is especially critical for applications in which the actors are positioned far away from the transmitting station.
This is common in theatre productions, outdoor events, conferences and similar events, in which cases this would work and forego the need for costly directional antennas.
With regard to the signal-to-noise ratio, I must add that open, non-adjusted earpieces must usually be set to higher volumes, which inevitably increases the noise.
I would describe the sound quality on both systems as adequate, and definitely good enough for most applications. One must be aware that it is mainly the low frequencies that are lost when transmitting wirelessly.
It could be that this is required here, and I found the result helpful, but the function is however not mandatory. Normally, the sound can already be modified accordingly by the monitor desk.
Even the cheaper MEI G2 showed sufficient definition in this regard.