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Legend says when Tartini heard Francesco Maria Veracini 's playing in , he was impressed by it and dissatisfied with his own skill.
He fled to Ancona and locked himself away in a room to practise, according to Charles Burney , "in order to study the use of the bow in more tranquility, and with more convenience than at Venice , as he had a place assigned him in the opera orchestra of that city".
Tartini's skill improved tremendously and, in , he was appointed Maestro di Cappella at the Basilica di Sant'Antonio in Padua , with a contract that allowed him to play for other institutions if he wished.
In Padua he met and befriended fellow composer and theorist Francesco Antonio Vallotti. Tartini also owned and played the Antonio Stradivarius violin ex-Vogelweith from In , Tartini started a violin school which attracted students from all over Europe.
Gradually, Tartini became more interested in the theory of harmony and acoustics , and from to the end of his life he published various treatises. He died in Padua.
Tartini's home town, Piran Slovenia , now has a statue of him in the square, which was the old harbour, originally Roman, named Tartini Square Slovene : Tartinijev trg , Italian : Piazza Tartini.
Silted up and obsolete, the port was cleared of debris, filled, and redeveloped. One of the old stone warehouses is now the Hotel Giuseppe Tartini.
His birthday is celebrated by a concert in the main town cathedral. Today, Tartini's most famous work is the " Devil's Trill Sonata ", a solo violin sonata that requires a number of technically demanding double stop trills and is difficult even by modern standards.
According to a legend embroidered upon by Madame Blavatsky [ citation needed ] , Tartini was inspired to write the sonata by a dream in which the Devil appeared at the foot of his bed playing the violin.
Almost all of Tartini's works are violin concerti at least and violin sonatas. Tartini's compositions include some sacred works such as a Miserere , composed between and at the request of Pope Clement XII ,  and a Stabat Mater , composed in Tartini's music is problematic to scholars and editors because Tartini never dated his manuscripts, and he also revised works that had been published or even finished years before, making it difficult to determine when a work was written, when it was revised and what the extent of those revisions were.
The scholars Minos Dounias and Paul Brainard have attempted to divide Tartini's works into periods based entirely on the stylistic characteristics of the music.
Sixty-two manuscripts with compositions of Tartini are housed at the Biblioteca comunale Luciano Benincasa in Ancona. Luigi Dallapiccola wrote a piece called Tartiniana based on various themes by Tartini.
In addition to his work as a composer, Tartini was a music theorist, of a very practical bent. He is credited with the discovery of sum and difference tones , an acoustical phenomenon of particular utility on string instruments intonation of double-stops can be judged by careful listening to the difference tone, the " terzo suono ".
He published his discoveries in a treatise "Trattato di musica secondo la vera scienza dell'armonia" Padua, His treatise on ornamentation was eventually translated into French — though when its influence was rapidly waning, in — by a certain "P.
Denis", whose introduction called it "unique"; indeed, it was the first published text  devoted entirely to ornament and, though it was all but forgotten, as only the printed edition survived, has provided first-hand information on violin technique for modern historically informed performances , once it was published in English translation by Sol Babitz in Of greater assistance to such performance was Erwin Jacobi's published edition.
In , Jacobi published a tri-lingual edition consisting of the French basis of the following two , English translation by Cuthbert Girdlestone , plus Jacobi's own translation into German Giuseppe Tartini.
Erwin Jacobi. Celle: Hermann Moeck Verlag, Of significant import, Jacobi's edition also includes a facsimile of the original Italian found in Venice in , copied in the hand of Giovanni Nicolai one of Tartini's best known students and including an opening section on bowing and a closing section on how to compose cadenzas not previously known.
Another copy though less complete of the Italian original was found among manuscripts purchased by the University of California, Berkeley in , a collection that also included numerous ornamented versions of slow movements of concertos and sonatas, written in Tartini's hand.
Unpublished M. Berkeley, Tartini, the great composer and violinist of the XVIIIth century, was denounced as one who got his best inspirations from the Evil One, with whom he was, it was said, in regular league.
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